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making the library and other facilities of the department always available.
Nicholas Reeves, formerly of the Egyptian Department, with his deep
knowledge of the Valley of the Kings and the whole industry of
Tutankhamun studies, has been a constant and willing source of refer-
ence, and a sounding-board for ideas. David Butters, Curator of the
Swaffham Museum, who organized two very interesting Carter exhibi-
tions in 1989, has been a regularly ally in the provision and checking of
Norfolk information.
My very special thanks must be extended to the Committee of
Management of the Griffith Institute, Ashmolean Museum, Oxford,
where the principal Carter archive is housed; and in the Institute particu-
larly to Dr Jaromir Malek, the Archivist, for so much positive help, for
seeming always to be on hand and ready to discuss a matter, to Dr Diana
Magee, Fiona Strachan and Elizabeth Miles, for answering so many
enquiries and for opening and shutting cupboards and lifting down
awkward bundles of drawings on many visits to Oxford. Also in Oxford,
I am grateful to Dr Derek Hopwood, Director of the Middle East Centre
in St Antony’s College, and Diana Ring, its librarian, for giving me access
to the journals of Mervyn Herbert. To them and to the present Mervyn
Herbert I am grateful for permission to use extracts in this book.
In London, the Committee of the Egypt Exploration Society has
allowed me to search the early papers in its archives for Carter material;
Dr Patricia Spencer, the Secretary, and her assistant Sylvie Weens, have
been invariably helpful. The Directors of News International PLC,
through their Deputy Archivist, Eamon Dyas, have generously provided
me with photocopies of documents, and allowed me to reproduce the
text of the agreement made in 1923 between The Times and the Earl of
Carnarvon. In Geneva I owe a special debt of gratitude to Professor
Michel Valloggia for searching out and obtaining copies of Carter, Naville
and Maspero correspondence in the Bibliothèque publique et universi-
taire in that city, and to that institution for allowing me to quote from
these documents; and also to Professor Denis van Berchem, a grandson
of Édouard Naville, for showing much interest and encouragement.
To the governing bodies of all the institutions mentioned above, I am
grateful for permission to quote from the relevant documents in their
possession.
There are many others to whom I owe thanks for additional, occa-
sional, and peripheral material, which has helped to enrich and diversify
my narrative: Francis Allen, N. G. Stafford Allen, Mrs Elizabeth Reeves
and Antony Allen (for information on Carter and the Allens of Cockley
Cley), Margaret S. Drower (for help with Petrie information), Dr Andrew
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PREFACE TO THE FIRST EDITION
Gordon (for an early Carter letter), Robert Keedick (for a copy of his
father’s recollections of Carter’s American tour), Jean Kennedy (for infor-
mation on holdings in the Norfolk Record Office), Dr Christopher Lee
(for Mace information), Deirdre Le Faye (for Carter’s association with the
Lucovich family), Arpag Mekhitarian (for copies of documents and
photographs on Queen Élisabeth of the Belgians, Jean Capart and
Carter), Dr Peter Piccione (for investigating bricks at Elwat el-Diban),
Julia Rushbury (for memories of William Carter), Dr Gerry Scott (for
material on Carter’s Yale degree), Professor A. F. Shore (for a letter from
Carnarvon to A. M. Blackman), Professor W. T. Stearn (on the botanical
activities of Alicia Amherst and P. E. Newberry), Edna S. Weiss (for
records of Carters at the Royal Academy Schools, and in the RA Summer
Exhibitions), P. M. White (on Bretby bricks), Finbarr Whooley (for back-
ground material on the British Empire Exhibition of 1924), Irma
Wilkinson (for access to the papers of Charles Wilkinson and for general
encouragement).
In an early stage in the writing of this volume I receive invaluable help
from Annette Webb, Secretary of the Institute of Egyptian Art and
Archaeology at Memphis State University, who performed marvels of
decipherment. To my former colleague, Christine Barratt, I am indebted
for the maps and plan. To my editor, Carol Gardiner, go special thanks
for eliminating so many inconsistencies, removing so many infelicities,
and generally for giving this book a professional finish.
Readers should not be disconcerted by variations in the spelling of
proper names, particularly ancient royal names. The variations reflect
differing traditions of vocalizing the unvocalized ancient forms. In the
case of Tutankhamun the variations are many, and are retained in quota-
tions; for most scholars in Britain the form above is commonly used.
The ancient dates used in this volume generally follow those given in J.
Baines and J. Malek, Atlas of Ancient Egypt.
The kindness I have been shown in so many places has, in my experi-
ence, been exceptional, and I have the happiest memories of hospitable
stays with friends and colleagues during a search which began simply,
and expanded enormously over the years. But no one has been more
kind and forbearing than my wife Diana, and my son Stephen, who have
at all times helped me with my research, and have latterly endured many
months of aggrandizement in the use of space at home, and of time in
general.
London, January 1992
T.G.H. James
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1
EARLY YEARS
A sad, small company gathered at Putney Vale Cemetery in South London
on 6 March 1939 to say ‘Farewell!’ to Howard Carter. It was not the kind
of gathering which commonly attends the obsequies of the great and
famous, but it yet offered, in modest scale, a fair representation of the
various parts of the life of one who had in his time achieved remarkable
popular esteem. The ‘great Egyptologist’, as The Times obituary appropri-
ately called him, ‘who gained fame for his part in one of the most
successful and exciting episodes in the annals of archaeology, the discovery
and exploration of the tomb of Tutankhamen’, had died in relative obscu-
rity, his ultimate purposes unfulfil ed, his real achievements uncrowned by
official recognition.1 He had been born to a life of moderate expectation;
he ended his life with none of the pomp and splendour with which he had
become familiar in the mortuary ceremonies and paraphernalia of the
monarchs of Egypt in the Valley of the Kings at Thebes. And yet his life
had been one of greater success than most can expect, and its elements
were recognized among the few who listened to the words of the Revd H.
C. Kemp, Vicar of Putney, on that grey day. To represent his family there
were his brother William, a fine portrait painter, and his nephew Samuel
John, an engineer and bearer of traditional Carter names;
there was Lady
Evelyn Beauchamp, daughter of the fifth Earl of Carnarvon, who had
accompanied her father in the early, heady, days of the opening of the
famous tomb; there was Gerald Wainwright, a former colleague from the
ranks of excavators in Egypt. George Eumorfopoulos, a great collector of
oriental and Egyptian works of art, in a sense represented those whom
Howard Carter had helped in their collecting in his later years.
1 The Times for 3 March 1939; the obituary almost certainly written by P. E. Newberry.
The account of the funeral was in the issue of 7 March.
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HOWARD CARTER
If Howard Carter had made preparations well in advance of his death,
as the ancient Egyptians had regularly done, he would almost certainly
have caused incorrect details to be recorded on his grave-stone. ‘It is
strange Carter did not know his age – I am all too conscious of mine,’
commented Alan Gardiner to Percy Newberry in 1945.2 This strange
ignorance had been revealed by Carter’s niece, Phyllis Walker, who had
discovered from a scrutiny of her uncle’s birth-certificate that he was
born on 9 May 1874, and not in 1873 as he had stated in his annual
entries in Who’s Who since 1924. It was an error perpetuated in the
various obituaries which were written after his death, even in those
composed by his old friend Percy Newberry. There is no need to think
that Carter had any strange motive for falsifying his age – indeed ‘falsify’
is surely the wrong word to use. What advantage could be achieved by
adding one year to one’s proper age? Presumably he confused the year at
a fairly early stage in his career and the error persisted, fixed in his mind
as being correct. He lived, it must be conceded, at a time when form-
filling and documentary verification were not as prevalent as they have
since become. It would be scarcely worth while drawing attention to
Carter’s error were it not symptomatic of much that he subsequently
wrote, in which precision of detail was not of primary importance. He
composed in later life a number of autobiographical sketches of consid-
erable charm, but unfortunately so full of errors and inconsistencies –
where precision can be secured from more reliable sources – that they
can be taken only as rough guides to his career.3 They remain, neverthe-
less, very interesting, if only because they are rightly flavoured with his
own brand of personal romance and are studded with comments and
reflections which illuminate his attitudes to a wide variety of topics.
Some of these were crucial to his whole life – his remarks on drawing
and epigraphy, for example – while others preserve his mature views
often expressed anachronistically, as if formulated by himself when a
youth or young man. His chronological errors tend to be more tiresome
than significant, but for a biographer they are very vexing and often
time-consuming in their explication. A good example concerns his
father’s death in 1892. In his late sketch he describes a visit he made with
2 Letter of Alan Gardiner to Percy Newberry of 1 March 1945; G.I. Newberry Corr. 18/ 133.
3 A set of versions of the sketches is in the Griffith Institute, Carter Notebooks 15–17; a
further set in the possession of Jonathan Carter; other versions in the Metropolitan
Museum, Egyptian Department. Sketch II, ‘An Account of Myself ’, is in G.I. Carter
Notebook 15.
2
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EARLY YEARS
Flinders Petrie to see the recently discovered tomb of Akhenaten at El-
Amarna. From Petrie’s contemporary diary the visit can be fixed fairly
precisely to about 21 January 1892.4 In his sketch Howard Carter notes
that ‘the next morning brought one of those sad days which usher in
another phase of life’. A cable and a letter arrived announcing his father’s
death. His father actually died on 1 May 1892. Again the error is of little
significance, but it does point to the unreliability of the sketches as
primary historical documents.
In one matter, however, the sketch of his early life preserved in the
Griffith Institute in Oxford is correct against other published sources.
The Who’s Who entries record that Carter was born in Swaffham,
Norfolk. This might be described as his ‘official’ statement, for a Who’s
Who entry is composed by the person concerned. In his sketch he states:
‘I was born in the early seventies at my father’s town house in Earl’s
Court.’ The mention of Swaffham in Who’s Who is another harmless
error which may represent a kind of inverted snobbism not now easily
comprehended. Swaffham was certainly a place of importance, and prob-
ably of emotional attachment, for Carter throughout his life. It seems
altogether unlikely that he had forgotten his birthplace when he first
compiled his Who’s Who entry, but at the time – not long after the
discovery of the tomb of King Tutankhamun – he may have felt it neces-
sary to dignify his origins. Swaffham suggested a good country base;
Earl’s Court, or Brompton as it might more properly be described, has
less comfortable associations. But the reason for the error might have
been something quite different; yet it is strange that he allowed it to
persist (like that of his birth date) in all entries down to his death.
So, as his birth certificate confirms, Howard Carter was born on 9 May
1874, at 10 Rich Terrace in the sub-district of Brompton in Kensington.
Rich Terrace no longer exists. It occupied part of the north side of the
Old Brompton Road to the west of the junction with Earl’s Court Road,
and the site is now fil ed by Richmond Mansions, 248–250 Old
Brompton Road. Rich Lane, original y perhaps a kind of mews or service
road for Rich Terrace, stil exists to the west of Richmond Mansions. Rich
Terrace was demolished in the 1890s, but no. 10 was recorded in the local
directory as standing as late as 1892, the year of Howard Carter’s father’s
death.5 ‘My father’s town house’ is Carter’s description of what was
4 See p . 38 below.
5 Information on Rich Terrace provided by the Town Clerk of the Royal Borough of
Kensington and Chelsea, in a letter to B. Ripper of 20 June 1972.
3
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HOWARD CARTER
certainly a fairly modest terraced house with a garden. It can scarcely
have been the property he romantically evokes as ‘this quaint old house’
with ‘a lovely garden with beautiful trees, and for the purpose of study
large pens for animals’. The house properly belonged not to his father
but to his mother. It is known that it was first rented by the Carter family
in 1868 from Miss Elizabeth Hall, who subsequently lived herself in 14
Rich Terrace. On her death some years later, she bequeathed all her prop-
erty to ‘Martha Joyce, wife of Samuel Carter’.6 For practical purposes,
however, Samuel would have acted as the house owner.
Samuel John and Martha Joyce (née Sands), Howard Carter’s f
ather
and mother, were both natives of Swaffham in south-west Norfolk, a
small but thriving market-town on the road from King’s Lynn to
Norwich. Its appearance in the late twentieth century – at least as far as
its heart, the Market Place, and its surrounds, is concerned – differs little
from what the Carters would have known a century ago. Like many small
country towns in East Anglia, Swaffham presents, architecturally, a mixed
face, mostly of stone and brick, and of the eighteenth and nineteenth
centuries. The obligatory, but tiny, shopping ‘mall’ of recent years is
discreetly tucked away on the west side of the Square, and most of the
remaining additions and modifications of the late twentieth century do
little to disturb the settled, comfortable aspect of the whole. Cars have
replaced carts, and they fill the Square except on market days when the
town reasserts its essential character as a place for buying and selling for
the surrounding district, and a centre for general and domestic
concourse. As you enter the town from the direction of King’s Lynn, a
sharp eye will spot the brightly painted carving of the Pedlar of
Swaffham, a fifteenth-century local notable, John Chapman, ‘who did by
a dream find a great treasure’. It is the town sign, one of the many in
Norfolk designed and painted by Henry Robert (Harry) Carter, another
of the Carters of Swaffham and North Norfolk – mostly interrelated and
artistically talented – who was a distant cousin of Howard Carter.7
Swaffham and its environs, family associations, and art, were to be
powerful influences in the development of the young man who would go
to Egypt in his late teens and ultimately make the most dramatic archaeo-
logical discovery of modern times.
6 Documents on the ownership of 10 Rich Terrace are with Jonathan Carter.
7 For Swaffham generally see B. Ripper, Ribbons from the Pedlar’s Pack (Swaffham, 1979); for Jonathan Chapman see p. 48; for Henry Carter, p. 113. Also, David C. Butters,
Swaffham, In the Pedlar’s Footsteps (North Walsham, 1990), pp. 1–2, 28–31.
4
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EARLY YEARS
Howard Carter’s immediate family has been traced back to a Robert
Carter, his great grand-father, who married Susanna Dunger in 1785 at